{"id":131,"date":"2022-08-26T10:00:00","date_gmt":"2022-08-26T08:00:00","guid":{"rendered":"https:\/\/www.gemmagoncalvesdasilva.com\/moda\/?p=131"},"modified":"2026-10-30T14:58:03","modified_gmt":"2026-10-30T13:58:03","slug":"madness-on-stage","status":"publish","type":"post","link":"https:\/\/www.gemmagoncalvesdasilva.com\/moda\/2022\/08\/26\/madness-on-stage\/","title":{"rendered":"Madness on stage"},"content":{"rendered":"\n
\n
\n
\n
\"\"<\/figure>\n\n<\/div>\n\n\n
\n

Gmaro Magazine \u00b7 Red Hot Monde \u00b7 Elysium Magazine<\/p>\n\n\n

Madness on stage<\/h1>\n\n\n

It has long been assumed that specific phobias are by definition, non-cognitive and irrational. However, current cognitive theory suggests that idiosyncratic cognitions may be primary to the experience of phobic anxiety. In clinic studies, conscious beliefs related to exposure to phobic stimuli were assessed. It was found that the majority of specific phobics reported high levels of belief in at least one of a set of cognitions, such as \u201cI would go mad\u201d. Analysis of the relationship between phobic anxiety, avoidance, interference and harm cognitions suggests a major role in phobias for harm cognitions as opposed to the other variables. These results appear to indicate that it is difficult to justify the assumption that the nature of specific phobias is essentially non-cognitive.<\/p>\n\n\n

An editorial that tries to represent mental processes described through\u00a0fashion.<\/p>\n\n\n

Photo<\/dt>
Gemma R. Gon\u00e7alves da Silva<\/dd>
Model<\/dt>
Alex Scala<\/dd><\/dl>\n\n\n

Published in<\/p>\n\n\n

Gmaro Magazine<\/a> \u00b7 August 2022
Red Hot Monde<\/a> \u00b7 September 2022
Elysium Magazine<\/a> \u00b7 October 2022<\/p>\n\n<\/div>\n<\/div>\n\n\n

<\/div>\n\n\n
\n
\n
\"\"<\/figure>\n\n<\/div>\n\n\n
\n
\"\"<\/figure>\n\n<\/div>\n<\/div>\n\n\n
<\/div>\n\n\n
\"\"<\/figure>\n\n\n
<\/div>\n\n\n
\n
\n
\"\"<\/figure>\n\n<\/div>\n\n\n
\n
\"\"<\/figure>\n\n<\/div>\n<\/div>\n\n\n
<\/div>\n\n\n
\n
\n
\"\"<\/figure>\n\n<\/div>\n\n\n
\n
\"\"<\/figure>\n\n<\/div>\n<\/div>\n\n\n
<\/div>\n\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"

Gmaro Magazine \u00b7 Red Hot Monde \u00b7 Elysium Magazine<\/p>\n","protected":false},"author":1,"featured_media":123,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[9,12,22],"_links":{"self":[{"href":"https:\/\/www.gemmagoncalvesdasilva.com\/moda\/wp-json\/wp\/v2\/posts\/131"}],"collection":[{"href":"https:\/\/www.gemmagoncalvesdasilva.com\/moda\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gemmagoncalvesdasilva.com\/moda\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gemmagoncalvesdasilva.com\/moda\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gemmagoncalvesdasilva.com\/moda\/wp-json\/wp\/v2\/comments?post=131"}],"version-history":[{"count":1,"href":"https:\/\/www.gemmagoncalvesdasilva.com\/moda\/wp-json\/wp\/v2\/posts\/131\/revisions"}],"predecessor-version":[{"id":152,"href":"https:\/\/www.gemmagoncalvesdasilva.com\/moda\/wp-json\/wp\/v2\/posts\/131\/revisions\/152"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gemmagoncalvesdasilva.com\/moda\/wp-json\/wp\/v2\/media\/123"}],"wp:attachment":[{"href":"https:\/\/www.gemmagoncalvesdasilva.com\/moda\/wp-json\/wp\/v2\/media?parent=131"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gemmagoncalvesdasilva.com\/moda\/wp-json\/wp\/v2\/categories?post=131"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gemmagoncalvesdasilva.com\/moda\/wp-json\/wp\/v2\/tags?post=131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}